Collagraph Angel

Here she is, the blessed damozel.

Ok so the bar isn't gold and the lilies are more like massive daisies but you get the idea! The angel may or may not have had purple hair. I'm taking artist liberties here!

My aim was to create an emotional print, using cool blue tones to show the sorrow implied in the poem. Drapery is ever present in Pre-Raphaelite works, and I wanted to capture those textures of flowing fabric. How better to do this then by using actual fabric? Working in textiles has it's perks! Collagraph was my chosen print process as this enabled me to create a plate to print directly from these materials.

The print size and shape were mainly inspired by William Morris' Red House and his stain glass windows. But more on that later..


The figure is hand drawn like a dry point into the card, to create soft painterly line.

Stitched Collagraphs - 'On The Mend'

This is a series of collagraphs I've been working on lately, using a lacey (and racey)  upcycled negligee, ripped up, torn apart then printed. As you do.

The prints were based around feelings of anxiety and negative thought patterns. Feelings such as these can sometimes leave us feeling torn or broken, however, with time, we can be mended. But you are never the same again. I liked the idea of using a personal item, such as undies, and printing them for all to see! Laying it bare. I found this quite hard to do as it is so personal, making me feel quite self conscious. So of course, it makes loads of sense I go post it on the world wide web.

Check out the detail picked up in the lace! The print also has a beautiful slight emboss.

Collagraph plate in prep stage.

The monoprint which started the idea for a collagraph.

Ripped and stitched back together with text.

This went a bit wrong! The paper got stuck to the plate.
I managed to pull off some of the print and put it back together.
 I quite liked the print in the end. The detail in the lace is still so crisp.